Death And The Maiden - Film Vs

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prevalent in the movie. We can see Paulina’s strength from the start. As she strides confidently around the house and violently tears off a piece of chicken, the suggestion that she is unsuited to the domestic position which she has obviously been forced into by the side effects of her traumatic experience need not be made any clearer. Although possessing remarkable strength in both texts, the movie shows a much stronger, almost completely masculine Paulina. This Paulina has been almost entirely defeminized by her ordeal, physically, symbolised by the scarred breast and her desire to “adopt” a child, which also serves as a glimpse of the vulnerable element of womanhood in her character that still remains. Throughout the bout of verbal jousting that goes on in the opening scene Paulina is able to hold her ground much more firmly than she appears to do in the play. In Polanski’s version of the scene she actually manages to use her domestic role to gain power ...

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