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Generic Hybridism Police Thriller Films - Essay

Generic Hybridism Police Thriller Films

Contemporary American Studies
Genre Hybridist Films

Introduction

In the present world of cinema there is an increase generic hybridism where more and more genres are becoming merged together in order to bring new narratives to the screen. The outcome of this has meant that in some films, such as police, the relationships between cop and criminals have been indistinct to cater for new strands of narrative that have been brought in by the new genre. For instance, Steven Soderberg's Out of Sight (Jose. 2000) is an amalgamation of a love story and police film, in which the criminal has seduced the female cop and as a result she is lured to chase him for sexual reasons relatively than ...

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to the detective movies of the sixties and seventies then indeed the modern police thrillers is more of the generic hybridism. Thus, follows slight changes in characters, situation or the thematic is presented; making it evident that police films are simply not just a 'cop chasing a criminal' movie.
In addition, it has been universally accepted clich� that 'cop' films throughout history have revolved around the struggle between good and evil, having the characters of 'cop' and criminal. These character incarnations are, more often than not, cautiously carved characters instead of two-dimensional stereotypes. As a result, what the audience is exposed to is then not just characters that are engage in complicated chases and gun fights, but are also offered police officers that can be emotionally incompetent, with criminals that are characteristically mentally unbalanced however methodical and intelligent (Jose. 2000).
On the ground level, the relationship between 'cop' and ...

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PAPER DETAILS
Added: 8/12/2015 02:27:36 AM
Category: Film & Theater
Type: Premium Paper
Words: 1199
Pages: 5

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