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Medea's Representation In Love and Heroism - Paper

Medea's Representation In Love and Heroism

Medea, the protagonist of Euripides' play, represents both love and heroism in the work. The tragic end of the play, as well as the extreme actions prompted by her wounded love, however makes her rather a contrast with characters where the outcome is more positive. Medea in her capacity as hero is thus compared with Odysseus from The Odyssey, and with Penelope from the same work in her connection with love.

Medea as Hero

Medea is the hero of Euripides' play in several respects. Firstly, she is the protagonist of the play. Secondly, she is the instigator of action, and fearlessly pursues what she wants. Her social status is also high, as she is a princess and a sorceress. Medea ...

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has character traits that define him as not only a hero, but also a leader. He has physical strength, is noble, courageous, confident, and has a thirst for glory. Medea's thirst is for a more personal glory: that of winning Jason's love. Odysseus' glory is wider in scale; battling with gods to return one day to his homeland. Medea appears to be rather impulsive, motivated by revenge, whereas Odysseus is sharp-witted and motivated by a desire for glory in battle and a subsequent return to his homeland. He does share with Medea the trait of manipulation. In Iolcus for example, Medea uses her skills to manipulate the daughters of the local king into killing their father in order to eliminate the rival (Beginning, Episode 2). Later she uses words to trick Jason into accepting the deadly gifts for his new bride (Episode 4). This can be compared with the episode where Odysseus addresses Nausicaa of Scheria (Book VI), and quickly wins her trust through his comforting ...

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more seeing Jason suffer as a result.

Another element that Medea and Odysseus share is character development. Medea, while equally murderous in both love and revenge, changes in her feelings towards Jason. Furthermore her sorrow at the betrayal evolves to become murderous revenge (End of Episode 1). In the end Medea, while losing both children and love, has regained at least part of her emotional well-being as a result. Odysseus' development again moves from glory-loving impulse to more composed and thought-inspired action. His impulsiveness shows when he reveals his identity to the Cyclops (Book IX), while evidence of his more tempered nature can be found in his reaction to ...

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PAPER DETAILS
Added: 6/30/2016 04:40:28 AM
Category: Film & Theater
Type: Premium Paper
Words: 1883
Pages: 7

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