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Michelangelo The Sistine Chapel Frescos - Paper

Michelangelo The Sistine Chapel Frescos


On the 10th of May 1508 I signed a contract to agree to fulfill Pope Julius�commission on painting the ceiling of the Sistine Chapel. I had bad feelings about thewhole thing from the day Julius commissioned me to paint instead of sculpt. I am anarchitect and sculptor not a fresco painter. It is not that I doubt my ability�s to completesuch a task, but I believe that there are other artists that would be much better suited for
the job than I. It is of course an honor to be chosen to paint such a ceiling and Julius isfar to stubborn to find anyone else but myself, so I will paint and I will make it one of thegreatest fresco paintings there will ever be.(Brandes, 254).
The scaffolding ...

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to Florence for a number of assistance to help me with the fresco�s and thetechnique since I am somewhat hazy with the technique involved. I started my work onthe cartoons for the frescos. These 12 Apostles that I am commissioned to paint are soboring I must find a way around painting them in such a dull fashion. As we started to
paint the fresco�s I became very uninspired by the idea of the 12 apostles I was upset andconfused. I knew that this was not the right idea for the ceiling.(Redig De Campos, 170).
I talked with Julius today and we discussed the project. I told him that �It wasmuch to poor a thing to paint only the Apostles.� And when he asked why I replied�Because the Apostles, too, were poor.� He told me to paint as I please, and now I willthe only problem is I don�t quite know what is right yet.
I had a vision for the ceiling while outside daydreaming today. I will paint theCreation of Man and the Creation of the Universe, I will tie in the already existingfrescos ...

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is a sense of fear and terror among the crowd of people who are about to be wipedaway from the earth. I want the wind to be a great force in this fresco to give the effectof a great storm. The trees are about to be uprooted and the people will run for shelterand higher ground. This painting of the great flood is very real and believable.(Camesasca, 91).
My next fresco, The Fall of Man features the temptation of Adam and Eve to eatfrom the Tree of Knowledge and their expulsion. I divided the two events with the Treeof Knowledge in the middle with its branches outstretched across the top of the painting.
On the left side of the painting Eve reaches out toward to grab fruit ...

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PAPER DETAILS
Added: 8/26/2007 05:46:09 AM
Category: American History
Type: Premium Paper
Words: 1455
Pages: 6

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