To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question
Kenneth Branaugh may have had the script of William Shakespeare's Hamlet
spoken down to every last thee and thou, but one must remember that this is
Hamlet through Branaugh's eyes, not Shakespeare's. Therefore, dismissing
obvious additions made for adapting the play to film, such as having a real
castle instead of a stage, it is possible to observe the unique characters,
interpretations, actions, and setting that make this version the director's own.
In the time of Shakespeare, one of the actors main challenges was to use
the words to paint the scene for the audience, since, for the most part, they
were looking at a bare stage. However, this use of imagination and portrayal is
no ...
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in a constant state of motion. This
occurs in the scene with the guards, and most noticeably in the scene with
Laertes and Ophelia, before he leaves for France. This same scene demonstrates
how the camera enables the characters to switch from one setting to the next, as
when Laertes, Ophelia, and Polonius are taken from outside to the church. This,
in turn, helps Branaugh set the scene for Ophelia and Polonius, in which,
Ophelia confesses everything to her father, perhaps only because she is in a
confession booth. Filming also allows for clarification of what is being said
through silent plays. During characters' dialogue, the scene switches to
actions of the past, present, and even to things that could happen. This seems
to be used to give the audience a better understanding of what is happening, and
it also helps to further develop the characters so that the story is built up to
the audience, rather then being tossed into the middle of the storyline. Young
Fortinbras is ...
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the woods. This
added a certain foreboding, eerie feeling to the scene, but one that the fire
and smoke dominated. The earthquake and fire was really just too much for the
scene. It became almost comic at some points because of all the commotion.
This also gave the impression that the ghost was from hell, even though it
descended from the sky when it was first seen. Another scene that seemed a
little ridiculous was with Rosencrantz and Guildenstern riding up to Hamlet on a
toy train. The only question that comes to mind is, why? An underscore of
music during certain scenes enhances the emotion and intensity being played out.
However, the music during Hamlet's soliloquy about war ...
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To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question. (2005, September 17). Retrieved December 1, 2024, from http://www.essayworld.com/essays/To-Be-Shakespeare-Not-Shakespeare-Question/33453
"To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question." Essayworld.com. Essayworld.com, 17 Sep. 2005. Web. 1 Dec. 2024. <http://www.essayworld.com/essays/To-Be-Shakespeare-Not-Shakespeare-Question/33453>
"To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question." Essayworld.com. September 17, 2005. Accessed December 1, 2024. http://www.essayworld.com/essays/To-Be-Shakespeare-Not-Shakespeare-Question/33453.
"To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question." Essayworld.com. September 17, 2005. Accessed December 1, 2024. http://www.essayworld.com/essays/To-Be-Shakespeare-Not-Shakespeare-Question/33453.
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